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口述历史(1)_在与学生使用口述历史之前需要考虑的一些事项

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与学生一起规划口述历史项目:选择受访者,考虑同意和历史背景,并准备录音和转录。

EuroClio欧洲历史教育者协会 · 发布于 · 18分钟 · 英语 · 许可:CC BY 3.0 · 来源:在YouTube上观看

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AI生成的摘要

这是关于口述历史与历史课堂的三部分网络研讨会系列的第一段录像,由历史教师、Historiana教学团队成​​员Bridget Martin主讲。她曾与EuroCLIO广泛合作,并编写了一份关于口述历史的教师指南。本次课程涵盖在与学生一起使用口述历史之前需要考虑的事项,通过Donald Ritchie对口述历史的描述来界定口述历史——即通过录音访谈收集具有历史意义的记忆和个人评述,并指出这是历史学家共同创造史料的唯一领域,它具有主观性和跨学科性,并具有民主化的方面。随后课程逐步讲解与学生一起规划项目,从教师准备和课堂准备(涉及概念和访谈技能),到选择受访者、获得知情同意、进行深入研究、撰写问题、录音、转录、让受访者有机会审阅、分析,以及以论文、展览或纪录片等形式进行展示。主讲人指出,完整项目适合课程时间或历史社团,口述历史可以作为更广泛项目中的一种研究方法,如果学生无法自己进行访谈,可以分析来自在线档案的预先录制的口述历史。课程最后预告了第二部分(关于准备学生进行访谈)和第三部分(关于分析)。

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带时间戳的章节摘要

口述历史网络研讨会系列介绍

  • [0:01] 这是关于口述历史与历史课堂的三次课程网络研讨会系列的第一段录像。
  • [0:13] Bridget Martin是一位历史教师,也是Historiana教学团队成​​员,曾与EuroCLIO广泛合作。
  • [0:13] 在她的EuroCLIO项目中,Bridget编写了一份关于口述历史的教师指南。
  • [1:02] Bridget对口述历史的兴趣始于大约四五年前,当时她正在格罗宁根大学攻读历史学硕士学位。
  • [1:06] 她在那里与Tim Haukens和Barbara Henkes一起做了研究。
  • [1:06] 她最近与斯里兰卡的Judith Pereira合作创建了一份资源。
  • [1:06] 三次课程中分享的许多想法都来自她与这三位合作者的工作。

三部分口述历史网络研讨会系列

  • [1:37] 该网络研讨会是一个三部分系列,旨在使内容更易于消化。
  • [1:46] 第一部分聚焦于大局:在与学生一起使用口述历史之前需要考虑的事项。
  • [1:52] 第二部分聚焦于准备学生自己进行口述历史访谈,并提供实用想法。
  • [2:22] 第三部分着眼于分析口述历史访谈,以改善或发展历史理解。
  • [2:26] 本次课程具体涵盖在与学生一起使用口述历史之前需要考虑的事项。

将口述历史定义为一个领域

  • [2:53] 主讲人曾在大约五年时间里使用口述历史视频进行教学,但并未真正理解口述历史的研究。
  • [3:08] 主讲人曾以为任何口头来源都是口述历史的一种形式,但事实并非如此。
  • [3:24] Donald Ritchie将口述历史定义为通过录音访谈收集具有历史意义的记忆和个人评述。
  • [3:39] 口述历史必须是口述历史学家(或充当该角色的学生)与受访者或叙述者之间的录音访谈。
  • [4:46] 口述历史是历史学中唯一一个历史学家通过发起和引导访谈参与共同创造史料的领域。
  • [5:25] 口述历史本质上非常主观,记忆起着关键作用,因为访谈往往涉及很久以前的事件。
  • [6:04] 口述历史是跨学科的,借鉴了文学研究、新闻学、心理学和记忆研究。
  • [6:08] 口述历史具有民主化的方面,让我们听到否则不会被强调的声音,并让学生充当口述历史学家。
  • [7:09] 主讲人鼓励至少花一个小时熟悉口述历史,建议以英国的Oral History Society和美国的Oral History Association作为起始资源。

与学生一起规划口述历史项目

  • [8:05] 如果有课程时间或历史社团,可以开展完整的口述历史项目。
  • [8:35] 与Judith共同创建的指南逐步讲解了一个完整项目,学生采访某人并制作展览、纪录片或演示。
  • [9:05] 如果时间较少,口述历史可以作为更广泛研究项目中的一种研究方法,通常面向年龄较大的学生。
  • [9:46] 如果学生无法自己进行访谈,可以全班一起或作为个人研究的一部分,分析来自大型在线档案的预先录制的口述历史。
  • [10:30] 十个关键步骤直接来自EuroCLIO网站上的指南,从教师准备开始,例如背景阅读和选择相关的在线档案视频。
  • [11:18] 应花时间让全班或小组准备口述历史概念和访谈技能。
  • [11:35] 学生选择一位或多位受访者,并且必须获得知情同意,明确说明录音将如何存储和使用,以及受访者拥有哪些权利。
  • [12:49] 在访谈之前,学生对历史时期或事件以及具体人物进行深入研究,可能会非正式会面并收集照片、信件或物品。
  • [13:28] 研究之后,学生撰写访谈问题,然后进行并录制访谈,这需要教师提前规划。

录音、转录和展示步骤

  • [13:54] 学生需要一台电池续航和内存都足够的设备,以录制长度取决于项目的访谈。
  • [14:13] 如果受访者愿意,录像是最理想的;否则,录音也足够。
  • [14:25] 教师应规划学生如何录制访谈,以及录音录像存放在何处才能安全并受到保护。
  • [14:40] 第七步是转录:理想情况下,学生要逐字写出整个访谈,这非常缓慢且耗时。
  • [15:02] 对于完整的项目,转录应成为其中一部分,但在较大的项目中,如果引语已对照录音核实准确性,学生有时可以跳过这一步。
  • [15:45] 应给受访者机会审阅录音或转录稿,以确认其准确无误并补充任何内容。
  • [16:14] 随后,学生需要分析这些访谈,再决定如何呈现或使用它们,这将在第三个视频中涉及。
  • [16:23] 呈现形式可以多种多样,例如书面论文、数字或实体展览,或纪录片,取决于教师的创造力。

系列路线图与第一部分总结

  • [16:57] 第二个视频将聚焦于为学生自己进行访谈做准备的两个关键要素。
  • [17:09] 第三个视频将特别关注分析,以及如何引导学生有意义地分析史料。
  • [17:18] 这标志着第一部分的结束,第二部分随后奉上。
  • [17:27] 主讲人感谢Bridget的开场介绍,并表示下个视频再见。

[0:01] 大家好,欢迎来到我们关于课堂历史教学方面的网络研讨会系列的第一段录像。这是我们围绕口述历史在线举办的三场会议中第一场的录像,今天与我们在一起、实际上三场会议都会在场的,是Bridget Martin。Bridget是一位历史教师,也是Historiana教学团队的一员。她一直与EuroCLIO密切合作,她与我们合作的其他项目之一,是她编写了一份关于口述历史的教师指南,所以她今天来这里和我们稍微谈谈这方面内容。那么Bridget,交给你了。谢谢你,Alicia。

[0:43] 好的,我先共享我的屏幕,这样你们就能看到我的演示文稿。我们开始吧。好的,我们将有三场会议讨论教育中的口述历史。我们开始吧。我对口述历史的兴趣大概始于四五年前,当时我正在格罗宁根大学攻读历史学硕士。所以我在那里与Tim Haukens和Barbara Henkes做了一些研究。另外,正如Alicia提到的,我最近还制作了这份资源,这是与斯里兰卡的Judith Pereira合作完成的。所以我想感谢这三位与我密切合作的人,因为在接下来三场会议中我将与大家分享的许多想法,都来自我们共同完成的工作。

[1:36] 一起。那么正如提到的,我们决定把这次网络研讨会做成三部分系列,希望能让它对你们来说更容易消化一些。第一部分,也就是这里的这个视频,我想真正聚焦于大局。在你与学生一起使用口述历史之前,你可能需要考虑的所有事情有哪些?然后在第二个视频、第二部分中,我想真正深入探讨我们如何为学生准备口述历史访谈,让他们实际去进行这些访谈。所以那里会有很多实用的想法。最后一部分,我们将探讨在口述历史访谈已经完成之后如何分析它们,以及当我们想用它们来改进或发展我们的历史理解时该怎么做。

[2:26] 这就是整个系列的方向。但对于本次会议,我想探讨的是在与学生一起使用口述历史之前需要考虑的事项。我认为我们必须从你作为教师开始,先让自己熟悉口述历史研究。而这不可避免地始于一个关键问题:那么,什么是口述历史?这似乎是个基本问题,但正如我所说,我直到过去四五年才真正对口述历史产生兴趣。而在那之前,我已经教了大约五年书,事实上还在课堂上使用过口述历史视频。

[3:08] 却没有真正理解口述历史研究是什么。我当时以为,实际上任何口头史料都是口述历史的一种形式,但事实并非如此。所以当我们谈论口述历史时,我们可以用很多方式来定义它,但我只是选择了Donald Ritchie的这个定义,他是这样定义口述历史的。简而言之,口述历史通过录制访谈来收集具有历史意义的记忆和个人评论。所以我认为这里首先要重点关注的是,它必须是一次录制的访谈。

[3:45] 是在口述历史学家——或者在我们这里可能是扮演口述历史学家的学生——与受访者(我们有时也称其为叙述者)之间进行的。它聚焦于他们的记忆和评论,这些记忆和评论对我们理解历史具有某种历史意义或价值。所以你可以看到,作为一个研究领域,它是相当具体的。还有一些其他因素使口述历史与众不同。我在这里列了一个清单,尽管还有很多我没有列进去。但只是为了让大家稍微了解为什么口述历史实际上……

[4:23]与主流的历史学科相当不同,它确实是一个自身特定的研究领域,口述历史学家们一直在努力界定这个研究领域以及与之相伴的所有思维方式和实践做法。因此,口述历史之所以特别,其中几点在于能够看到、听到,而且如果你是采访者,还能真正与创造该史料的人互动。还有一点特别之处在于,这确实是唯一一个你作为历史学家参与共同创造史料的历史领域。通常,在历史学中,我们处理的是留下的痕迹所构成的史料。

[5:05]来自过去发生的事情。但在这种情况下,历史学家实际上是发起史料创造的人,他们走出去安排采访并录音。他们实际上参与了该史料的创造,因为他们通过选择提出的问题、提问的方式等来引导那场讨论。所以从这方面来说,它相当独特,也不同于其他历史史料。口述历史之所以特别,还因为它在本质上是高度主观的。我们可以对许多历史史料和证据等这样说。

[5:38]当我们处理个体及其视角、记忆等时,这一点尤其如此。当然,其中的关键还在于……记忆在口述历史中如何发挥作用,因为这些采访通常谈论的是很久以前发生的事情,所以我们确实需要考虑记忆所涉及的一些复杂性,我们记忆、遗忘等的方式。它也是一个非常跨学科的研究领域。因此,口述历史学家运用文学研究、新闻学、心理学和记忆研究的元素,把来自不同学科的所有这些元素汇集在一起,尽力去理解我们所能理解的过去,以及不同人在不同时期经历和记忆那段过去的方式。它还有一个民主化的方面,因为它确实让我们有可能听到那些

[6:38]在历史研究中我们可能原本不会关注的人的声音。这类受访者,或者学生自己能够充当口述历史学家并亲自开展这类研究,也是一个民主化的方面。所以这只是口述历史特别的几个方面,因此我们需要确保在试图与学生分享其全部成果之前,真正把它理解为一个研究领域。所以如果你愿意的话,我真的鼓励你至少花一个小时稍微熟悉一下口述历史作为一个研究领域。我知道作为教师,我们都时间紧张。但我确实认为,至少投入一些时间来弄懂其要点很重要。你可以看到我在这里建议了两个可能有用的资源。第一个是口述历史学会。那是一个总部位于英国的组织。然后是口述历史协会,总部在美国。

[7:39]这两个组织都有非常有用的网站,概述了口述历史。它们有大量专门针对学校教育的实用资源。在第三个视频的结尾,我还会给你看另一份清单,列出如果你确实有更多时间、可能对进一步阅读有用的其他资源。但如果只是一个真正必要的起点,这些确实是开始熟悉的好地方。好了,所以一旦你弄懂了口述历史的一些关键方面,下一步就是思考你打算如何与学生一起使用它。我有几种可能的方式供你与学生一起使用。所以,如果你有幸在课程中有时间,或者也许你有一个历史社团,这可能是一种非常适合与历史社团一起做的项目类型,就是开展一个完全聚焦于口述历史的完整项目。

[8:35]就是朱迪思和我编写的指南中所描述的内容,该指南一步一步引导你完成一个完整的口述历史项目,学生可以就某个特定主题采访社区中的某个人或家庭成员,经历该过程中的所有步骤,然后也许制作一个展览、一部纪录片或某种展示,真正聚焦于这些口述历史以及我们通过它们所能理解的历史。如果你也许没有那么多时间投入一个完整项目,可能你可以把口述历史作为一种研究方法纳入其中。

[9:16]纳入更广泛的研究项目中,这是我经常做的一件事,尤其是与正在开展研究项目的年长学生一起。如果他们确实认识相关的人,有时他们家里确实有人与他们研究的主题有些关联,他们可能会在案头研究之外还进行一次口述历史采访,并把它们结合在一篇典型的论文或类似的东西中。所以它可能只是一个更广泛项目中的一个元素。如果你也不具备条件,或者也许没有时间让学生出去进行自己的采访,你可能会发现,其实仅仅分析预先录制的口述历史也可以,而且有大量在线档案可供使用。

[10:01]拥有丰富的资源可供使用,你可以将这些资源用于全班教学,或者建议学生将这些访谈作为个人研究的一部分,然后进行分析,并思考如何利用它们来发展我们的历史理解。因此,请思考在你的特定情境中可能使用它的不同方式,以及因此你需要包含或调整哪些元素等等。好的,一旦你决定了如何使用口述历史,以下是你需要提前规划的关键步骤,特别是在你能够进行完整口述历史项目的情况下。好的,这些10关键要素或10关键步骤实际上直接来自Judith和我开发的、可在EuroCLIO网站资源下获取的指南。你需要从教师准备开始,这就是前面提到的背景阅读等等,但这也是

[11:02]也许可以花些时间浏览一些在线档案,例如,选择与你的主题和学生相关的视频,你可以在早期阶段使用这些视频,让学生自己熟悉口述历史。然后我们会建议,或者我会建议,花一些时间与全班或整个小组(如果是历史俱乐部的话)一起准备,让他们熟悉口述历史作为研究领域的理念和概念,以及采访技巧等等。

[11:35]然后学生需要选择一位受访者,或者根据项目规模和时间等选择多位受访者。非常重要的是,他们需要获得同意,我在这里还要补充,需要获得该受访者关于采访的知情同意。因此,必须向受访者明确说明,例如,录音将如何存储,可能如何使用,因为当然,如果受访者知道采访只会被学生的老师看到,他们说话的方式可能会不同。

[12:11]而如果采访可能被全校看到,或者可能被放入全球共享的纪录片中,情况就不同了。这将影响他们参与时的舒适程度等等。因此,必须明确说明将如何使用以及目的当然是什么。还必须向受访者明确说明他们作为受访者的权利。因此,如果他们在任何时候感到不适,可以停止采访。他们有机会在采访完成后回顾采访,等等。

[12:41]因此,我们只需要确保学生非常谨慎地保护和理解他们正在采访的人的权利。一旦他们做到了这一点,学生确实需要在采访前进行一些深入研究。这项研究应该关于……他们正在研究的一般历史时期或问题或事件,也应该具体关于他们正在采访的人。例如,他们可能会与那个人进行非正式会面,以获取一些基本信息,例如,他们在哪个时期住在哪里。如果幸运的话,他们还可以请那个人提供一些其他来源材料,例如照片、信件或可能与采访相关的物品。

[13:28]因此,他们已经获得了大量关于将要交谈对象的背景信息。一旦他们完成了这项研究,他们就可以开始撰写采访中想要提出的问题。我们将在下一个视频中更深入地讨论这一点。然后他们需要进行采访,这同样是作为教师,你需要为这个阶段提前规划一点的地方,因为它确实需要被录制下来。因此,你需要考虑确保学生有一些设备,具有足够的电池和存储容量等等,以录制你决定的长度的采访,20分钟、30分钟、一小时。这在一定程度上取决于项目。

[14:13]理想情况下,如果你有条件并且叙述者或受访者乐意让你这样做,视频录制将是非常好的。但如果不可能,录音也可以足够。因此,请从后勤方面考虑一下,你的学生如何录制这些采访,以及这些录音将存储在哪里以确保它们安全受保护。第七步是转录。现在,这是一个非常缓慢的过程,学生最好使用录音逐字写出,即一字不差地写出整个采访的完整转录稿。

[14:57]这是一个非常耗时的步骤。如果你在做完整项目,我真的建议它需要成为其中一部分,因为这是完整口述历史体验的一部分。我承认,当我使用口述历史时,特别是如果它只是更大项目中的一种研究形式,有时我会让学生跳过这一步,但我确实确保他们使用录音来确保他们使用的任何引文例如是准确的。

[15:29],因为当然我们必须确保没有歪曲采访中所说的任何内容等等。所以理想情况下要包含它,但如有需要可能会有一些变通办法。只是要提醒一下,这是一个非常耗时的过程。等这一切都完成后,让受访者有机会查看那段录像和/或文字记录是很好的,只是为了确保他们觉得这是一份准确的呈现,确保他们没有说出任何真的不该说的话,或者没有遗漏任何内容,并且他们可能想对自己说过的话补充一些内容等等。所以就是要确保他们被纳入这个过程。

[16:09],并且我们能够与他们就那次采访进行有意义的讨论。然后学生需要在决定如何呈现这些采访或如何在他们的研究中使用它们等等之前,对这些采访进行分析。这就是该系列第三个视频的主题。最后,是关于呈现。学生将如何呈现那项工作?它会写成一篇书面文章吗?它会是一个数字展览还是一个实体展览?或者一部纪录片,任何或所有各种可能性都可以。

[16:43] 而你可能想怎么做,真的取决于你和你的创造力。所以所有这些步骤都在那个教学策略中有详细说明。不过我要指出,它仍然是一份入门指南,你可以对其中每一项进行更深入的探讨。在第二个视频中,我将真正聚焦于这两个要素,它们是让学生准备好进行自己的采访的关键。然后在第三个视频中,我们将特别关注分析,以及我们如何引导学生将这些作为资料来源进行有意义的分析。那么到此结束。

[17:18] 第一部分的结尾。我希望它对你有帮助。然后我们将进入第二部分。下次见。Bridget,非常感谢你做的这第一次介绍,那么下一个视频再见。

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[0:01] Hello everyone and welcome to the first recording of our webinar series on the history side of the classroom. This is the recording of the first of three sessions that we are hosting online about oral history and today here with us or for the whole three sessions actually here with us is Bridget Martin. Bridget is a history teacher, a member of the Historiana Teaching and Learning team. She's been working with EuroCLIO a lot and among the other projects that she worked on with us is a project where she developed a teacher's guide on oral history and so she's here to talk with us a little bit about that. So Bridget the floor is yours. Thank you Alicia.

[0:43] Right, I'm just gonna start by sharing my screen so you can see my presentation. Here we go. Okay, so we are going to have three sessions talking about oral history in education. There we go. So my interest in oral history began probably about four or five years ago. when I was undertaking my master's in history at the University of Groningen. And so I did some research there with Tim Haukens and Barbara Henkes. And I've also more recently, as Alicia mentioned, created this resource, which was in collaboration with Judith Pereira in Sri Lanka. And so I'd like to acknowledge all three of them with whom I've worked very closely, because a lot of the ideas that I'll be sharing with you over the next three sessions come from the work that we have done.

[1:36] together. So as mentioned, we've decided to make this webinar a three-part series to hopefully make it a little bit more digestible for you. So the first part, this video here, is where I'd like to really focus on. the big picture. What are all of the things that you might need to consider before you use oral history with your students? Then in the second video, in part two, I want to really zoom in on how can we prepare students for oral history interviews to actually conduct those interviews themselves. So there'll be lots of practical ideas in there. And then in the last part, we will look at analysing oral history interviews once they have been conducted and we want to use them to improve or develop our historical understanding.

[2:26] So that's where we're headed across the series. But for this particular session, I want to look at things to consider before using oral history with your students. And I think we have to start with you as the teacher familiarizing yourself with the study of oral history. And this inevitably begins with the key question, well, what is oral history? And it might seem like a basic question, but as I said, I only became really interested in oral history in the last four or five years. And before that, I'd been teaching for five or so years already and using, in fact, oral history videos in my classroom.

[3:08] without really appreciating what the study of oral history was. And I thought at that time that actually any oral source was a form of oral history, which is not actually the case. So when we are talking about oral history, There's many ways we could define it, but I've just chosen this one from Donald Ritchie, who's defined oral history in this way. Simply put, oral history collects memories and personal commentaries of historical significance through recorded interviews. So I think the first thing to zero in on here is that it must be a recorded interview.

[3:45] between the oral historian or perhaps in our case the student acting as the oral historian and an interviewee or the narrator as we might sometimes call them. And it's focused on their memories and their commentaries that have some sort of historical significance or meaning for our understanding of history. So you can see that it is quite specific as a field of study. There are a few other things that make oral history special. And I've made a list of them here, although there are many more that I haven't included on this list. But just to get a bit of an appreciation of why oral history is actually...

[4:23] quite different to the mainstream discipline of history and it really is its own specific field of study and oral historians have worked quite hard to define that field of study and all of the ways of thinking and the practices that go along with it. So a few of the things that make oral history special are the ability to see and hear and if you're the interviewer actually interact. with the person or creates the source. And this is another thing that's particularly special is that this is really the only field of history where you as the historian are involved in co-creating the source. So typically in history we deal with sources that are traces left behind.

[5:05] from things that have happened in the past. But in this case, the historian is actually the one initiating the creation of the source by going out and setting up an interview and recording it. And they're actually involved in the creation of that source because they're guiding that discussion with the questions that they choose to ask, how they ask them and so on. So it's quite unique and different to other historical sources in that way. Oral history is also special because it's very subjective in nature. And we could say that about a lot of historical sources and evidence and so on.

[5:38] It's particularly true when we're dealing with individual people and their perspectives and memories and so on. And of course, key to that as well is how... memory plays a role in oral history because typically these interviews are talking about events that happened quite a long time ago and so we really need to consider some of the complexities involved in memory the way that we remember forgetting and so on. It's also very interdisciplinary. area of study. So oral historians use elements of literary studies and journalism and psychology and memory studies and pull all of these elements from different disciplines together to try and make sense as best we can of what we can understand about the past and about the way that that past is experienced and remembered by different people at different times. And there's also a democratizing aspect to it because it does allow us to potentially hear the voices

[6:38] of people that we might not otherwise draw attention to in the study of history. This kind of a person type of interviewee or indeed the fact that students themselves can act as oral historians and conduct these kinds of studies themselves is also a democratizing aspect. So that's just a few ways in which oral history is special and therefore we need to make sure we really understand it as a field of study before we try and share all of its fruits with our students. So if you wanted to, and I really would encourage you to spend at least an hour familiarizing yourself a little bit with oral history as a field of study. I know as teachers, we're all time poor. But I do think it's important that we dedicate at least some time to getting our heads around the essentials. And you can see I've suggested two resources here that might be useful. The first is the Oral History Society. That's a UK-based organization. And then the Oral History Association, which is based in the US.

[7:39] Both of them have really useful websites that outline oral history. They've got lots of practical resources specifically focused on school education. I will also, at the end of the third video, show you another list with other resources that might be useful for further reading if you do have a little bit more time. But if it's just a really essential starting point, these are really great places to begin familiarizing yourself. Okay, so once you've got your head around some of the key aspects of oral history, the next thing would be to think about how do you plan to use this with your students? And I have a few possible ways you might use this with your students. So you might, if you have the luxury of having the time within your curriculum, or perhaps you have a history club, this could be a really great type of project to do with a history club, is run a complete project, which is entirely focused on oral history.

[8:35] is what was described in the guide that was created by Judith and I that guides you step by step through a complete oral history project where students might interview someone in their community or a family member about a particular topic and go through all the steps in that process and then produce perhaps an exhibition or a documentary or some sort of presentation that's really focused on these oral histories and what we can understand about history through them. If you have perhaps not quite so much time to dedicate to a full project, it might be that you're able to include oral history as one research method.

[9:16] within broader research projects and this is something that I often do particularly with older students. who are conducting research projects, if they do know someone relevant and sometimes they do have someone in their family who has some relevance to the topic they're studying, they might conduct an oral history interview as well as desk research and draw them together in a typical essay or something along those lines. So it might just be one element of a broader project. If you're also not in a position or you don't have the time perhaps for students to go out and conduct their own interviews, you might find that actually just analysing pre-recorded oral histories, and there are huge amounts of online archives available.

[10:01] that have wonderful resources that you can use and use those either with the whole class or suggest that students use those interviews as part of their individual research and then just analyze those and consider how they could be used. in developing our historical understanding. So think about the different ways you might use it in your particular context and therefore which elements you would need to include or adapt and so on. Okay, so once you've decided how you're going to use oral history, here are the key steps that you would need to plan ahead, and this is particularly in the case of a full oral history project, if you're able to do that. Okay, so these 10 key elements or 10 key steps actually come directly from the guide that's available on the EuroCLIO website under resources that Judith and I developed. You'd need to start with teacher preparation, and that's the kind of background reading and so on mentioned earlier but it's also

[11:02] perhaps taking the time to go through some online archives, for example, and select videos that would be relevant to your topic and to your students that you could use, particularly in that early phase of getting the students themselves familiar with oral history. Then we would suggest, or I would suggest, spending some time with the whole class or the whole group, if it's a history club for example, preparing them, getting them familiar with the ideas and the concepts of oral history as a field of study, and also interview skills and so on.

[11:35] The students would then need to select an interviewee or potentially multiple interviewees depending on the scale of the project and the time and so on. And really importantly, they need to gain consent and I would add here informed consent from that person regarding the interview. So it needs to be made really clear to the person that they're interviewing. how the recording will be stored, for example, how it might be used because, of course, the person being interviewed might speak differently if they know that the interview will only be seen by the teacher of the student.

[12:11] versus if it might be seen by the whole school or if it might be put in a documentary that's shared worldwide. This will inform how comfortable or not they feel participating and so on. So it needs to be made really clear how it will be used and what the purpose of it is, of course. And it needs to be made clear also to the interviewee what their rights are as an interviewee. So if they feel uncomfortable at any time, they can stop the interview. They will have a chance to review the interview once it's been completed, so on and so forth.

[12:41] So we just need to make sure students are very wary of protecting and understanding the rights of the people that they're interviewing. So once they've done that, the students really need to do some in-depth research before they conduct their interview. And that research should be about... the general historical period or issue or event that they're studying and it should also be about the person that they're interviewing specifically so they might have an informal meeting for example with that person to get some of the essential information where they were living at which time for example They might also, if they're lucky, ask that person to provide them some other source material, so photographs for example, or letters or objects that might be relevant to the interview.

[13:28] So they're getting a great deal of background information already about the person they're going to be speaking with. And once they have that research, they can then begin writing the questions that they want to ask during the interview. And we'll talk about that in a bit of depth in the next video. They then need to conduct their interview and this is again where as the teacher you need to plan ahead a little bit for this stage because it does need to be recorded. So you need to think about making sure that the students have some device that will have sufficient battery and memory capacity and so on to record an interview of however long you've decided, 20 minutes, 30 minutes, one hour. It depends a little bit on the project.

[14:13] Ideally, if you have the availability and the narrator or the interviewee is happy for you to, a video recording would be excellent. If that's not possible though, a voice recording. can be sufficient. So have a think about just in terms of the logistical aspects, how those interviews can be recorded by your students, and also then where those recordings will be stored to make sure that they are safe and protected. Step number seven is transcription. Now, this is a very slow process in which students ideally are using that recording to write out verbatim, so word for word, the entire interview in a full transcript.

[14:57] It's a very time consuming step. If you're doing a full project, I really would suggest it needs to be a part of it because it's a part of the full oral history experience. I will confess that when I use oral history, particularly if it's just one form of research, in a larger project, sometimes I do let the students skip this step, but I do make sure they're using that recording to ensure that any quotations they use, for example, are accurate.

[15:29] because we have to, of course, make sure we're not misrepresenting anything that was said during the interview and so on. So ideally including it, but there might be some workarounds if needed. just be warned it is a very time-consuming process. And then once that's all been done, it's great to give the interviewee a chance to have a look. at that recording and or at the transcript just to make sure that they feel that it is an accurate representation that they didn't say anything they really shouldn't have or they didn't miss anything and they'd like to maybe add something to what they had said and so on and so forth. So just making sure that they are included in that process.

[16:09] and that we can have meaningful discussions with them about that interview. Then the students need to analyse those interviews before they decide how they're going to either present them or use them within their research and so on. And that's the subject of the third video in the series. And lastly, it's about presentation. How will the students present that work? Will it go into the a written essay? Will it be a digital exhibit or a real life exhibit? or a documentary, any or all sorts of possibilities are available.

[16:43] And it's really up to you and your creativity how you might like to do that. So all of those steps are detailed in that teaching strategy. Although I will point out it is still an introductory guide. and you can go into a lot more depth about each of them. In the second video, I'm really going to focus on these two elements, which are key to preparing students to conduct their own interview. And then in the third video, we'll look particularly at analysis and how we can guide students to meaningfully analyze those as sources. So that's the end.

[17:18] of the first part. I hope it was helpful to you. And then we'll move on to part two. next time. Thank you, Bridget, very, very much for this first introduction and yeah see you soon for the next video.

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《口述历史(1)_ 在与学生一起使用口述历史之前你需要考虑的一些事情》,作者为 EuroClio 欧洲历史教育者协会(https://www.youtube.com/@euroclioeuropeanassociation),依据 CC BY 3.0 许可(https://creativecommons.org/licenses/by/3.0/)。源视频:https://www.youtube.com/watch?v=027Nz1BEVzE。本页是该视频的文字记录,添加了段落分隔和时间戳;创作者与 Vidleaf 无关联,也不为其背书。Vidleaf 添加了 AI 标点和 AI 生成的摘要;原始措辞仍可在本页查看。

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